Old Gods Show Compassion in The Brothers Size

A Return to the Roots of The Brothers Size

Tarell Alvin McCraney’s The Brothers Size has long been a cornerstone of contemporary theater, and its return to New York is a momentous occasion. Since its debut in 2007 at the Public Theater and London’s Young Vic, the play has traveled extensively, becoming part of a larger trilogy that includes In the Red and Brown Water and Marcus; Or the Secret of Sweet. At the time of its creation, McCraney was still a graduate student at the Yale School of Drama, where he would later become chair of the playwriting program. Now, as the artistic director of the Geffen Playhouse in Los Angeles, McCraney has returned to the world of his early work, co-directing a new production with Bijan Sheibani, who also directed the original London staging. This version, which recently opened at the Shed, showcases both the enduring power of McCraney’s writing and the deep collaboration between artists who have worked together for decades.

A Deeply Connected Ensemble

The creative synergy between McCraney and actor André Holland is evident throughout the production. Holland, who previously played Elegba in the Public Theater’s full triptych, now takes on the role of Ogun, the older brother. His performance anchors the emotional core of the play, carrying the weight of tragedy while being surrounded by the dynamic presence of Alani iLongwe as Oshoosi and Malcolm Mays as Elegba. Their interactions are charged with tension, shifting like the moon as they navigate love, guilt, and longing. The chemistry between them is palpable, creating a sense of movement that echoes the cyclical nature of the play itself.

Myth, Ritual, and Movement

McCraney’s text is rich with ritual and myth, drawing from Yoruba traditions and spiritual symbolism. The names of the brothers—Ogun and Oshoosi—are not just labels but references to Orishas, deities in the Yoruba pantheon. This layering of meaning adds depth to the characters, suggesting that they are more than mere individuals—they are gods trapped in human forms, struggling against the constraints of their environment. The setting, set in a distant present near the Louisiana Bayou, blurs the line between myth and modernity, creating a space where ancient beliefs and contemporary struggles intersect.

A Visual and Musical Journey

The production’s design elements further enhance this mystical atmosphere. Scenic designer Suzu Sakai creates a circular stage that evokes a sacred space, while lighting designer Spencer Doughtie uses shadows and light to shape the actors’ movements. The choreography by Juel D. Lane is fluid and expressive, adding another dimension to the storytelling. Meanwhile, musician Munir Zakee provides a percussive score that complements the rhythm of the play, using loops and accents to create a musical pulse that underlines the emotional intensity of the performance.

Dialogue and Direction

One of the most striking aspects of The Brothers Size is the way it integrates spoken and physical performance. Characters often speak their own stage directions, such as “Kissing his teeth” or “Ogun enters,” which adds a layer of theatricality that enhances the narrative. This technique bridges the gap between spoken word and physical expression, allowing the actors to embody their roles fully. It also reinforces the idea that the play is not just about storytelling, but about the craft of performance itself.

A Balance of Lightness and Depth

Despite its heavy themes, the production maintains a sense of humor and levity that keeps the audience engaged. The co-directors’ decision to emphasize the play’s lighter moments helps to balance the emotional weight of the story. This approach allows for a dynamic performance that is both thought-provoking and entertaining. Holland’s portrayal of Ogun is particularly compelling, as he manages to shine without overshadowing the other actors, maintaining the delicate balance of the ensemble.

A Timeless Production

The Brothers Size continues to resonate with audiences, offering a powerful exploration of identity, family, and legacy. Its return to New York marks a significant moment in the theater world, celebrating the enduring impact of McCraney’s work. With its blend of myth, ritual, and raw emotion, the play remains as relevant and impactful today as it was nearly two decades ago.